Junie Hayward lives in the genteel poverty one might expect from a struggling professional writer. On one hand, she’s had some professional success in that she’s had a book traditionally published. On the other hand, the book didn’t sell very well, her agent and editors are indifferent to her, and she really pays the bills through a glorified tutoring job.
Her Yale classmate Athena Liu, meanwhile, is the literary establishment’s new darling. She’s wracking up an impressive reputation as a young author of note–her books are received with widespread critical acclaim, and she gets publicity that Junie couldn’t even begin to dream of. Junie resents Athena, but they also are each other’s only friend/frenemy in the DC area, so they still find themselves hanging out together–awkwardly and passive-aggressively–but hanging out together all the same.
Then one horrible night, Athena dies by accident, and Junie ends up impulsively stealing the latest manuscript from her dead “friend” and passing it off as her own. Junie knows what she’s doing is wrong, but in her mind, she’s honoring Athena’s legacy while also affirming her own greatness at writing since she revised it. The book, about Chinese laborers in Europe during WWI, is a big hit.
But as Junie experiences the fame and acclaim she so envied Athena over, she realizes it comes at a price. And to protect her initial lie, she has to craft even more lies, as Junie does everything from ambiguously cultivate the idea she’s Chinese American like Athena to spinning more made-up stories about her inspiration for the story. What should be a happy moment and the crowning achievement of her career quickly descends into paranoia that she will be caught.
Continue reading “R.F. Kuang’s Yellowface”
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