Movie Review: The Irishman (2019)

I’ve written on here before about being a Martin Scorsese fan. In recent years, Scorsese has moved away from the organized crime movies he became known for, and though I’ve enjoyed a lot of those movies, I’ll always have a soft spot for his iconic mob movies. Scorsese’s 2019 effort–The Irishman–generated a lot of buzz when it was being made. The buzz tended to be less about the movie itself and more about the process/circumstances surrounding the making of the movie. It marks Scorsese’s return to the organized crime genre, reunited him with two longtime collaborators (Robert De Niro and Joe Pesci, the latter coming out of retirement), included his first collaboration with Al Pacino, employed de-aging effects to the cast, was released on Netflix, and clocked in at 3 hours, 30 minutes.

Much less attention was paid to the story the movie told, that of Frank Sheeran. A trucker who worked as a hit man for Pennsylvania mobster Russell Bufalino, he claimed to know the real story behind the 1970s disappearance of mob-connected union leader Jimmy Hoffa.

Could any movie live up to all this hype?

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Silence (2016)

Silence

A long weekend is coming up for most of us! What better way to spend part of it than indulging in a little big screen time from the comfort of your couch? Here’s one film I would say is a must-see that you might have missed. . . .

In the midst of intense persecution of Japanese Christians in the 17th century, Portuguese Jesuits Rodrigues (Andrew Garfield) and Garupe (Adam Driver) insist on traveling to the country to find their mentor Father Ferreira (Liam Neeson). Reports have surfaced that he has apostatized, and they refuse to believe it. Despite the danger, they enter the country and quickly find themselves in a world of concealed faith, persecution, and difficult moral dilemmas.

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